Sharpen your skills.

Be the best artist 

you can be.

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Vladimir Chernov, Founder 

Internationally renowned Russian baritone VLADIMIR CHERNOV, has sung over 40 leading  roles and has appeared at nearly every major international theater  including the Metropolitan Opera, Covent Garden, La Scala, Teatro Colon,  Paris Opera, Lyric Opera of Chicago, San Francisco Opera, and Vienna  Staatsoper. He has worked with many of today's great opera conductors  such as Claudio Abbado, Valery Gergiev, James Levine, and Seiji Ozawa.

His U.S. debut was at Los Angeles Opera in the 1989-90 season as Posa in Verdi's Don Carlo, opposite Plácido Domingo. Mr. Chernov's  most requested roles include Germont in La Traviata, Simon Boccanegra,  Eugene Onegin, Miller in Luisa Miller, Enrico in Lucia di Lammermoor,  Figaro in Il Barbiere di Siviglia, and Prince Yeletsky in The Queen of  Spades. Mr. Chernov is now a Professor of vocal studies at the University of California, Los Angeles

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Olga Toporkova, Co-Founder

OLGA TOPORKOVA is a world-class expert on Bel Canto vocal technique. She has devoted her life to studying the mechanism of the human voice. She  is a graduate of the Moscow Conservatory, where she studied opera  performance and dramatic acting. Mrs. Toporkova teaches in Paris, New York, Los Angeles, and Payerbach. Her students have won or have been finalists in major international competitions including Cardiff Singer of the World, Operalia, the Loren L. Zachary Competition, Deborah Voigt Vero Beach International Competition, Giulio Gari Foundation, and many more.

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Nicolas Fortin 

Nicolas Fortin is an acting trainer who works with professional performers in Paris. He graduated from the prestigious “Cours Florent” in 2012 and from “3is” in film directing four years later. Since then, he has developed his own coaching method for actors.

 

Years of observation on cinema sets, where he worked as a technician, and time spent as a fiction writer enabled him to develop material and experience to help actors and singers on stage. To be an artist is to deal with emotions and human nature for a living. The acting trainer must thus design tools and methods to lead a performer down the most efficient path of expression that matches her/his particular capabilities. 

 

Nicolas Fortin’s Cyclic Method creates a path that trails from the performer to the role he or she must embody. To achieve this, the trainer must be able to adapt, and have a thorough understanding of the performer’s personality. The work heightens their natural precision and intensity, enabling them to grow while performing and, finally, to transform into the artist they wish to become.

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Anne Englebert

ANNE  ENGLEBERT, physical therapist by training, specializes in work on  movement and dynamic posturology, which harmonize and balance the body.  Ms. Englebert has worked for many years, especially with singers and  artists, and has created the workshops "The Scales of the Body" and  "Gesture and Sound." Through her work, she explores music, dance, and voice in the various courses and techniques of communication. Mrs. Englebert  has also worked for eight years as a Stage Director and Screenwriter in  Opera Liege (Belgium) and with Liege Philharmonic Orchestras and Monaco.  She is involved in contemporary creation (music, visual arts and dance) with the Art Season of "Ars Musica." She  holds courses at the Music colleges of Brussels, Liege, Mons, and Wallonia, and holds Workshops for musicians every year at the Music Festival in  Fort-Mahon (France) and Dinant (Belgium

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Junghyun Elisabeth Lee 

Born 1981 in Seoul (South Korea) 

In Seoul: Piano BA and MA studies at the Seoul National University in Korea and 1st prize at the Philharmonic Competition in Seoul. 

Further studies in Vienna: at the MUK - University of the City of Vienna vocal repetition opera with Kristin Okerlund, vocal repetition art song (Lied) and oratorio with Ralf Heiber and Carolyn Hague, at the MDW - University for Music and Performing Arts Vienna solo piano, song accompaniment , chamber music repertoire with Thomas Kreuzberger. 

She worked as a Pianist at the City Choir, National Choir in Korea, and NARA Opera Choir. 

In Vienna: Participation in the opera projects "Les Jumeaux de Bergame" (MDW), "The Adventures of King Pausole", musical "Triumph of Love" (MUK), "The Pied Piper / Birds of a Feather" (Wiener Musikverein) under the musical direction by Michael Schnack. "Die Zauber Flöte" (Schloßtheater Schönbrunn) under the musical direction of Peter Marschik. 

She works as an organist in various churches, such as the parish of Maria Hietzing, Schönbrunn Palace Chapel, Caritas Socialis Rennweg, and main organist in the Korean Catholic Community in Vienna.